Seriously, I suggest you read all of this, it's very interesting!

If
Harrison Ford had listened to the advice of studio heads early in his career, he would have remained a carpenter and never gone on to star in some of Hollywood's biggest films and become one of the industry's most bankable stars. Born July 13, 1942, in Chicago and raised in a middle-class suburb, he had an average childhood. An introverted loner, he was popular with girls but picked on by school bullies.
Ford quietly endured their everyday tortures until he one day lost his cool and beat the tar out of the gang leader responsible for his being repeatedly thrown off an embankment. He had no special affinity for films and usually only went to see them on dates because they were inexpensive and dark. Following high school graduation,
Ford studied English and Philosophy at Ripon College in Wisconsin. An admittedly lousy student, he began acting while in college and then worked briefly in summer stock. He was expelled from the school three days before graduation because he did not complete his required thesis. In the mid-'60s,
Ford and his first wife (his college sweetheart) moved to Hollywood, where he signed as a contract player with
Columbia and, later,
Universal. After debuting onscreen in a bit as a bellboy in Dead Heat on a
Merry-Go-Round (1966), he played secondary roles, typically a cowboy, in several films of the late '60s and in such TV series as
Gunsmoke,
The Virginian, and
Ironside. Discouraged with both the roles he was getting and his difficulty in providing for his young family, he abandoned acting and taught himself carpentry via books borrowed from the local library. Using his recently purchased run-down Hollywood home for practice,
Ford proved himself a talented woodworker, and, after successfully completing his first contract to build an out-building for
Sergio Mendez, found himself in demand with other Hollywood residents (it was also during this time that
Ford acquired his famous scar, the result of a minor car accident).

Meanwhile,
Ford's luck as an actor began to change when a casting director friend for whom he was doing some construction helped him get a part in
George Lucas'
American Graffiti (1973). The film became an unexpected blockbuster and greatly increased
Ford 's familiarity. Many audience members, particularly women, responded to his turn as the gruffly macho
Bob Falfa, the kind of subtly charismatic portrayal that would later become
Ford 's trademark.

However,
Ford's career remained stagnant until
Lucas cast him as space pilot
Han Solo in the megahit
Star Wars (1977), after which he became a minor star. He spent the remainder of the 1970s trapped in mostly forgettable films (such as the
comedy Western The Frisco Kid with
Gene Wilder), although he did manage to land the small role of
Colonel G. Lucas in
Francis Ford Coppola 's
Apocalypse Now (1979).

The early '80s elevated
Ford to major stardom with the combined impact of
The Empire Strikes Back (1980) and his portrayal of
action-adventure hero
Indiana Jones in
Raiders of the Lost Ark (1981), which proved to be an enormous hit. He went on to play "
Indy" twice more, in 1984's
Indiana Jones and the Temple of Doom and
Indiana Jones and the Last Crusade in 1989.
Ford moved beyond popular acclaim with his role as a big-city police detective who finds himself masquerading as an Amish farmer to protect a young murder witness in
Witness (1984), for which he received a Best Actor Oscar nomination for his work, as well as the praise of critics who had previously ignored his acting ability.

Having appeared in several of the biggest money-makers of all time,
Ford was able to pick and choose his roles in the '80s and '90s. Following the success of
Witness,
Ford re-teamed with the film's director,
Peter Weir, to make a film adaptation of
Paul Theroux 's novel
The Mosquito Coast. The film met with mixed critical results, and audiences largely stayed away, unused to the idea of their hero playing a markedly flawed and somewhat insane character. Undeterred,
Ford went on to choose projects that brought him further departure from the
action films responsible for his reputation. In 1988 he worked with two of the industry's most celebrated directors,
Roman Polanski and
Mike Nichols. With
Polanski he made
Frantic, a dark
psychological thriller that fared poorly among critics and audiences alike. He had greater success with
Nichols, his director in
Working Girl, a saucy
comedy in which he co-starred with
Melanie Griffith and
Sigourney Weaver. The film was a hit, and displayed
Ford's largely unexploited comic talent.
Ford began the 1990s with
Alan J. Pakula 's courtroom
thriller Presumed Innocent , which he followed with another
Mike Nichols outing,
Regarding Henry (1991). The film was an unmitigated flop with both critics and audiences, but
Ford allayed his disappointment the following year when he signed an unprecedented 50-million-dollar contract to play CIA agent
Jack Ryan in a series of five movies based upon the novels of
Tom Clancy. The first two films of the series,
Patriot Games (1992) and
Clear and Present Danger (1994), met with an overwhelming success mirrored by that of
Ford's turn as
Dr. Richard Kimball in
The Fugitive (1993).
Ford's next effort,
Sydney Pollack's 1995 remake of
Sabrina, did not meet similar success, and this bad luck continued with
The Devil's Own (which reunited him with
Pakula), despite
Ford's seemingly fault-proof pairing with
Brad Pitt. However, his other 1997 effort,
Wolfgang Petersen's
Air Force One, more than made up for the critical and commercial shortcomings of his previous two films, proving that
Ford, even at 55, was still a bona fide, butt-kicking
action hero. Stranded on an island with
Anne Hesche for his next feature, the moderately successful
romantic adventure Six Days Seven Nights (1998),
Ford subsequently appeared in the less successful
romantic drama Random Hearts . Bouncing back a bit with
Robert Zemeckis'
horror-flavored
thriller What Lies Beneath, the tension would remain at a fever pitch as
Ford and crew raced to prevent a nuclear catastrophe in the fact based deep sea
thriller K-19: The Widowmaker.
Ford, who does not like doing interviews and has maintained a strict privacy regarding his personal life, made a home with his second wife, screenwriter
Melissa Mathison, whose credits include
E.T. The Extra-Terrestrial (1982), until their separation. Prior to that, they lived quietly with their two children,
Malcolm and
Georgia (
Ford's other children, two sons from his first marriage, are grown and have chosen careers outside of show business), in New York City and on an 800-acre ranch near Jackson Hole, WY;
Ford had clauses inserted in his movie contracts which permitted him to bring his family with him for location shootings. ~
All Movie Guide
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